This is a work of fiction. Any similarity to any persons, living or dead, or events, institutions or places is entirely coincidental. Where the names of actual, published works of fiction are used, it is done so in a fictitious manner and should not be taken as an affiliation with or critical review of said works.

LEGO® is a trademark of the LEGO® Group of companies which does not sponsor, authorize or endorse this band.

INDIANA JONES is a trademark of LUCASFILM LTD. LLC. which also does not sponsor, authorize or endorse this band.


Pierce would like to dedicate his part of the following songs to the following people:

Extreme Soundclown Megamix is dedicated to my great friend Chloe.

Thank You, Elijah Wood is dedicated in a resentful and obviously ironic way to one or a handful of people who will go unnamed, and whose physical and mental discomfort I can only hope steadily increase as time goes on. It is in no way directed at the actor Elijah Wood, whose work I strongly admire.

Mr Worry is, I think, mostly dedicated to Sineaid W.

Understanding the Linux Kernel is dedicated to my parents, Berni and Joe.

H is dedicated to Alan Duff, Claire Flynn, and Helen Kane, for teaching me how to put it together.

Infinite Jim is dedicated to my brother Jim, who doesn't really like The Office (US) or the admittedly disquieting prospect of unconditional immortality. If it comforts anyone: I'm not entirely sure the Poincaré recurrence theorem applies to our Universe, since I think it would require our Universe being discrete and possibly finite, so I don't think we share quite the same fate as John Krasinski's character. But I'm not well-versed on Hamiltonian dynamics, and one extremely clever theoretical physicist on StackExchange has made quite a convincing argument to the contrary using the holographic principle (physics.stackexchange.com/a/94126) , so idk. Also, I mean. Our universe might be discrete, so.

Find Me Now is dedicated to Joshua Butler, Max Dundon Hanan, Colm Geraghty, Michael "mic." Kelly, Harry Leung, and Sammy Bourdain, i.e. In Altitude.

People Like You is dedicated to Eddy K.

k thx bye is dedicated to everyone I've known, to the memory of Steve Harwell (may he rest in peace), and in particular to Ronan, for being a good friend.



The members of Lego Indiana Jones have _a lot_ of people to thank, without whom Hope All Well would be an inferior product. In particular, we extend gratitude to Simone "Probably" James, for filming all of our gigs and creating wonderful posters, and giving us someplace to stay while we recorded in the outer wilds of Drogheda; to Tadhg McLoughlin also for his part in filming and general soundness; to Ais Flattery for lighting at a great many gigs; to Maircín the sound guy in Fibbers' basement, for being extremely cool and supportive and funny; to a number of other sound people, namely Dara at the Sound House, Clodagh at Whelans, Dennis in Workmans', and Russell in Fibbers' upstairs, as well as to the kind management of same venues; to the members of the Lovely Good, Rag Doll, Petrichor, Last Apollo, Tvashtar Paterae, the Kaj, the Oceanographers, Invertebabes, Dark Isle, et al. for being cool fellow-bands; to the Dublin University Philosophical Society for having us that one time and for the cool t-shirt and for thinking Pierce is funny; to Lorcán Rowe for you know what; to Thomas Geraghty, for letting us use his keyboard for our first gig and for inspiring the final line of the album; to our parents for being long-suffering roadies and big fans; to Jane and Nicky for similar; to Kaj Klimski at Indelible Audio for invaluable advice and direction and recording demos that one time; to everyone mentioned in §Dedications for either inspiration, being part of the whole journey, support, or some linear combination of those three; to Daniel Penrose for being an ominous, almost ghostly presence; to the TCD Theoretical Physics class of 2025 and a good few in the corresponding year in Mathematics, for liking the music and being there; to Daniel de Burca for somehow managing to wrangle these recordings perfectly together in a matter of days, and for being sound, and for a couple of genuinely insightful little pieces of wisdom he passed on to us during our time at Jejune Studios, which pieces will probably stick with us for quite some time; to Anca Ioana for doing demos with us in BIMM and ultimately mastering the final product; and finally to all of the people who came to LIJ gigs or listened to us on the 'net or just thought our name was quite funny. To anyone we have forgotten, thanks to you too, and apologies; to anyone we intentionally left out, go fuck yourself.